British Three Masted Ship in the Bay of Naples

Italian School, Circa 1870.

Before photography, ship captains, owners or pasangers would commission local artists to paint their ship in foriegn ports, Here we see a ship in the Bay of Naples with Mount Vesuvius in the background

Ptg. : 10.5" x 16"
Frame: 13" x 18"

Antique English Bagatelle Box in Mahogany with original wooden insert and later ball and cues, now mounted on a metal stand.

Circa 1840

Bagatelle was a billiards-derived indoor table game, the object of which was to get a number of balls past wooden pins into holes that are guarded by wooden pegs; penalties were incurred if the pegs are knocked over.

36" x 17.75" x 18.5" tall (closed)

Charming Antique English Hanging Cutlery Box in oak, banded in mahogany and inlaid with a knife and fork, having a hinged lid and carved crest rail. Circa 1800.

7.5" x 5" x18.75 "tall

Pair of miniature three drawer chests, in mahogany, circa 1860, probably desk top boxes. Dimensions :12 "x 12"x 9"deep

Victor Spinski (American, 1940-2013)

A Piece of Cake

Ceramic, Signed and dated: "(19)97"

6 3/4" Diam. x 4" H

Spinski was a leading figure in the avant-garde ceramics movement of the 1960’s and 70’s. Throughout his career, Spinski experimented with many different materials, forms and techniques, becoming most well-known for his tromp l'oeil clay sculptures, which often incorporated humor.  In a 1983 article in the New York Times, art historian Helen A. Harrison described Spinski's works as being "technically sophisticated and fascinating in their imitation of nonceramic objects, such as metal cans filled with garbage. His "fountains," including an overflowing sink full of dirty dishes and a pile of beer cartons that have sprung a leak, are both cleverly conceived and beautifully realized."  Spinski participated in many historic solo and group exhibitions during his lifetime, including "Clayworks: 20 Americans" and "Coffee, Tea and Other Cups" both held in 1971 at the Museum of Contemporary Crafts in New York City. 

Antique Black Forest Tea Caddy in the form of a dog house with a mounted bronze of a dog, carved on all sides and back and with a trick latch to open. German, circa 1870 . 8.5" x 7.5" x 7" tall

Unusual Wood Tea Caddy or Tobacco Box in the form of a doghouse with brass nails and door surround and with a brass dog sitting outside. It opens by gently lowering the dog's hinged head which releases the peaked roof form lid which opens to a tin lined interior. The whole is mounted on a plinth base with brass beading. Circa 1870, probably Black Forest.

11.75" x 5.5" x 7" tall

Venus at Her Bath

After a model (1757) by Christophe Gabriel Allegrain (French,1710 - 1795)

Executed by Maison Susse Foundry after 1839

Bronze, 16" tall x 5" x5", stamped "Susse. fre. Edt."

Known for their fine casting and patinas the Susse Foundry produced both antique bronzes and bronzes by contremporary 19th Century artists.

*Please note: This is an original antique bronze, not a modern re-strike, and is so guaranteed.

Charles Francis Browne (American,1859-1920)

Clearing Fog

Signed and dated: 1915

Ptg: 20"x 28"
New Frame: 28"x 34"

Born in Natick, Massachusetts, Charles Francis Browne was primarily active in Illinois as a landscape painter and teacher, and was one of the original members of the Eagle's Nest Art Colony in Oregon, Illinois. He was married to the sister of sculptor Lorado Taft.

Browne played an active role in California in 1915 when he was the superintendent of the United States section of the Panama Pacific Exposition where he won an award for painting.

He had traveled West previous to that time when, in the summer of 1895, he and sculptor Hermon Atkins MacNeil and writer Hamlin Garland took a tour of Indian reservation in Arizona and New Mexico.

Their stops included the Navajo Reservation, the Hopis at Walpi and Zuni villages, and this trip provided Browne with much material for subsequent paintings.

In 1910, Browne was Assistant Art Commissioner in South America to Buenos Aires and Santiago.

He received his art training at the Museum of Fine Arts in Boston from 1882-84 and from Thomas Eakins at the Pennsylvania Academy of Fine Arts. In Paris, from 1887-90, he studied with Jean Leon Gerome at the Academie Julian.

He became an instructor at the Art Institute of Chicago and shared a studio with George Schreiber. He was founder and editor of "Brush and Pencil" Club, president of the Chicago Society of Artists, and a member and director of the Western Society of Artists. At the Eagle's Nest Art Colony in Oregon, Illinois in the summer of 1919, he was stricken with paralysis. He died the following March at his mother's home in Waltham, Massachusetts.

Sources:

Doris Dawdy, Artists of the American West
Peter Falk, Who Was Who in American Art
Eda Hughes, Artists in California, 1786-1940

Maurice Boval (French, 1863–1916)

Art Noveau Bronze of a Young Beauty

Signed, 14.25" high, 11" wide, 7"deep

Maurice Bouval was a French sculptor of the Art Nouveau period who was born in Toulouse, France in 1863. From 1880 to the first World War, he created a large number of bronze statues or objects including chandeliers, candelabras or table lamps. His main works are Ophelia, Femme assise, Jeune femme, Le Sommeil, Femme aux pavots, Le Secret et la Pensiveand and the statue that crowns the tower of the Casa de la Cultura, (Buenos Aires). He was not a prolific sculptor. He participated in the 1890 Exposition Universelle in Paris and was a member of the Société des Artistes Français and exhibited at the Salon from 1891 to 1914. He was a pupil of Alexandre Falguière who sculpted the Triumph of the Republic for the Arc de Triomphe in Paris. At least three different founders cast his bronzes- Colin, Jollet, and Thiebaut frères. His work is highly regarded and well listed in most major discussions of sculptors of the Art Nouveau period. His works, as is this one, are usually signed M. Bouval.

**Please note: This is an original antique bronze, not a modern re-strike, and is so guaranteed.

Antique Renaissance Revival Desk Cabinet, ebonized with ormolu mounts, having a galleryed superstructure with a hinged door below, opening to a divider interior, and raised on flattened ball feet.

Probably French, circa 1870

Height: 24.75"
Width: 14.75"
Depth : 7.5"

J. Murday (British fl 1837-1911)

A Tri-aspect of a Topsail Trading Schooner off South Foreland (Cliffs of Dover)

Oil-on-canvas; verso label: Wm. Blair, Ltd, Bethesda, Maryland

Painting: 24” x 36”
Frame: 29 ¼” x 40 ¼”

Murday was an accomplished painter of ship portraits and shipping scenes whose works were often signed and dated in the second half of the 19th century. Regrettably, there is little biographical information available on this artist.

His paintings are in the collections of the Greenwich National Maritime Museum, the Peabody-Essex Museum in Salem, MA, and the San Francisco National Maritime Museum. Some representative titles are: The Barque Bernard, The Schooner Ellen Gillman, and A Barque Among Icebergs off Cape Horn.

Max Weyl (American, 1837-1914)

Springtime in Rock Creek NE

Oil-on-canvas, signedand dated 1902 lower right and titled and signed on the reverse

Ptg.: 18.5" x 24"
Frame: 24" x 30"

Max Weyl was born Dec. 1, 1837, in Germany and immigrated with his family to Williamsport, PA in 1853. At this time and after his arrival in Washington, DC in 1861, Weyl earned his living as an itinerant watch repairman. At the relatively young age of 24, he had saved enough money to open his own jewelry shop at Third Street and Pennsylvania Avenue

. He was self-taught as an artist but was encouraged in the field by Washington artist Charles Lanman, who recognized his potential artistic talent. In 1870, Weyl sold his first painting to Samuel H. Kauffman, publisher of the Star . Kauffman became a regular patron of Weyl.

By 1878, he had achieved sufficient success to list himself as an artist in the city directory and had devoted himself full-time to his art. A year abroad in 1879-80, visiting and studying in Paris, Vienna, Munich and Venice attached him to the Barbizon style and gave him his nickname of the "American Daubigny". His first exhibition and sale of landscapes was in 1879. Eventually, his landscapes of the Potomac River and Rock Creek Park won him much recognition and acclaim.

During the years of 1882-92, he shared a studio with Richard Norris Brooke in Vernon Row at 10th and Pennsylvania, moving to the "Barbizon Studio" building, on 17th and Pennsylvania, from 1892-1903.

Weyl had annual exhibitions and sales at V.G. Fischer Galleries. There was a retrospective at the Corcoran Gallery of Art in 1907. Weyl died July 6, 1914, in Washington, DC. Today his work can be seen in such varied locations of the Corcoran Gallery, the Cosmos Club in Washington, the National Trust for Historic Preservation and Virginia Military Academy.

Sources:

Consentino, Andrew and Glassie, Henry. "The Capital Image, Painters in Washington, 1800-1915"
Falk, Peter, ed. "Who Was Who in American Art 1564-1975"
McMahan, Virgil. "The Artists of Washington, D.C. 1796-1996"

**To view other paintings by this artist, type "Weyl" into the search box.

Attributed to Pieter van Bloemen (Flemish, 1657-1720)

Military Encampment

Oil-on-canvas.

Painting size: 23” x 32”

Frame size: 31” x 40”

Born in Antwerp, van Bloemen was the brother of Jan-Frans and Norbert van Bloemen. His master was the battle painter, Simon van Douw. In 1673 van Bloemen was a master in Antwerp, but he did not stay there long. He is believed to have spent 20 years in Rome and it is known that he was working there in 1688. In 1694 he returned to Antwerp where he had eight students in an atelier. Van Bloemen is noted for his paintings of horses, Italian landscapes, battle scenes and market places. His works are in the collections of many European museums.

Source:

Benezit, E. Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs

Exceptional George III Serpentine Chest of Drawers or Commode in the French Manner having a moulded edge serpentine top with overhanging sides above two over three conforming drawers, rounded front corners and bold bracket feet. The drawer sides and bottoms are mahogany which is unusual since it was the most expensive wood during the 18th Century. Brass pulls may be original, escutcheons replaced.

English, Circa 1760.

Top: 42" wide
Case: 37" wide
Height: 37"
Depth: 23"

Lina Krause (German,1857-19)

Old Master Style Still Life

Oil on Panel, signed

Provanance: Noortman Master Paintings, Maastrick

Painting: 9.75" x 7.25"
Frame: 16" x 13.75"

John Charles Maggs.(British,1819 - 1896 )

The London to Bath Coach Pulling up to the Spaniards Tavern, Bath, England in 1884

Oil on Canvas, signed, and dated l.r.

Painting: 14: x 26"
Frame: 20.5" x 32.5" (outer frame later)

A newly discovered gem from one of England's best coaching painters.

John Charles Maggs (1819–1896) was a painter best known for his coaching scenes. He was born in Bath, England in 1819, his father being a furniture japanner there. John painted a series of famous coaching inns, and also a series of 80 metropolitan inns, in which he exploited the picturesque and historical aspect of his subject, to which his talent was best suited.

Other subjects he painted include Newmarket Races, Robbing the Mails, The News of Waterloo, The Market Place at Bath. The period he illustrated spans about two centuries; from the days before Hogarth, to the end of the reign of William IV.

His work enjoyed great popularity at a time when there was much interest in such vivid reconstruction of the 'romantic past'.

John Maggs' father, James, is recorded as an artist at Bath 1837–1841 and his uncle as a portrait painter 1846–1848. His daughter also assisted at his studio, known as the Bath Art Studio. Maggs lived in Bath his whole life, and died there on 3 November 1896, aged 77.

THE SPANIARDS TAVERN The Spaniards Inn is a historic pub on Spaniards Road between Hampstead and Highgate in London, England. It lies on the edge of Hampstead Heath near Kenwood House. The pub is believed to have been built in 1585 on the Finchley boundary, with the tavern forming the entrance to the Bishop of London's estate—an original boundary stone from 1755 can still be seen in the front garden. Opposite it there is a toll house built in around 1710. would lead to more and faster traffic.

Dick Turpin is thought to have been a regular at the Inn, as his father had been its landlord.What is certain is that highwaymen frequented this area and likely used the Inn to watch the road; at that time the Inn was around two hours from London by coach[citation needed] and the area had its fair share of wealthy travellers. Records from the Old Bailey show that on 16 October 1751 Samuel Bacon was indicted for robbery on the King's Highway and was caught 200 yards from the Spaniards

In 1780 rioters involved in the Gordon Riots, opposed to the relaxation of laws in England that restricted Catholicism, marched on Hampstead intent on attacking Kenwood House, the home of William Murray, 1st Earl of Mansfield. The landlord of the Spaniards at the time is reported to have given them free drinks, keeping the rioters occupied, until the local militia arrived, thus saving the house.

The pub has been mentioned in Dickens's The Pickwick Papers and Bram Stoker's Dracula, and has been frequented by the artist Joshua Reynolds and the poets Byron and Keats. According to the pub, Keats wrote his Ode to a Nightingale in the gardens, and Stoker borrowed one of their resident ghost stories to furnish the plot of Dracula.

The royal coat of arms of the United Kingdom, or the royal arms for short, is the official coat of arms of the British monarch,[1][2] currently Queen Elizabeth II. These arms are used by the Queen in her official capacity as monarch of the United Kingdom.

Late 1800s

12.5 "tall 24" wide 2.5" deep, mounted on an ebonized wood base