Julius Montalant, American 1823-1878.

View of a Harbor

oil on canvas, signed l.l.

Painting: 11 x 18.
Frame: 18 x 25.

Provenance: The Lowell/Putnam Estate

Born in Virginia, probably Norfolk, Julius Montalant is known for his drawings and paintings inspired by his travels on board navy ships.

Attached to the USS St. Louis around 1844-45, he sketched ports of call he visited, including Brazil, Chile, New Zealand, Australia, and China.  Many of his works are held in the Museum of the U.S. Naval Academy.  Navy records indicate his rank as 'C. Clerk', which may mean that he held a civilian position.

During the 1850s he lived in Philadelphia, and in 1851-61 he exhibited at the Philadelphia Art Union and the Pennsylvania Academy of the Fine Arts.  Included were paintings of North America, Greece, China, France, Italy, and South America. The 'tropical' scenes were apparently based on sketches done on board the USS St. Louis.

In 1858 he traveled to Rome, and is recorded to have studied with J.B. Durand-Brager in 1864.  He made Rome his base until his death in 1878.

Source: Peter Hastings Falk, Editor, Who Was Who in American Art

LATE GEORGE III W.&T.M. BARDIN 18-INCH TERRESTRIAL GLOBE ON STAND 
additions to 1807, dedicated to Sir Joseph Banks, the globe in etched brass frame resting on a corona with months and zodiac on turned support with tapering downswept legs with brass casters

Dimensions: Height: 41 in. (104.1 cm.), Diameter: 24 in. (61 cm.)

This terrestrial globe is supported on a wooden tri-pod pedestal, surrounded by a wooden horizon circle, and it is equipped with a brass meridian . The cartouche in the Pacific Ocean displays a seated female figure of Britannia, a seated woman holding an astronomical quadrant, and a small portrait of Joseph Banks. The text below reads: “To the Rt Honorable / SIR JOSEPH BANKS, BART K. B. / This New British Terrestrial Globe / containing all the latest Discoveries and Communications, from the most / correct and authentic Observations and surveys, to the year 1798 / by Captn Cook and more recent Navigators, Engraved on / an accurate Drawing by Mr Arrowsmith Geographer / Is respectfully dedicated / by his most obedient hble servants / W. & T. M. Bardin / 230” A text below reads: “Manufactured & Sold Wholesale & Retail by W. & T. M. BARDIN / 16 Salisbury Square Fleet Street London”

William Bardin (fl. 1730-1798) was a London artisan who began making globes around 1780. Ten years later, now partnership with his son, Thomas Marriott Bardin (1768-1819), he began trading as W. & T. M. Bardin. The 18-inch globes, their most ambitious, were introduced in 1798, and remained in production, by successor firms, for a half century.

Similar globe is in the collection of National Museum of American History

Antique English Tea Chest in the Form of a Sideboard, in mahogany and deal, having a rectangular hinged top with shaped and carved backsplash which opens to a sugarbowl, the front with two cabinet doors opening to lidded tea caddies.

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

William Smee & Sons, London, published a catalog of furniture designs in 1850 which had sideboards of similar form. (See Pictorial Dictionary of British 19th Century Furniture Designs by Edward Joy, pp 435-36.) 14"x5"x12.75"tall (key)

Rare American Federal tea caddy in nicely figured mahogany with three sides and stepped lid inlaid with banding and corner fan decoration; rectangular, with shaped skirt and French bracket feet and divided interior. Probably 1800. Provenance: The Cockrell Collection.

See Montgomery, American Furniture, The Federal Period, #436-439 for other examples.

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

Height, 9.25”; Length, 12”; Width, 6.5.”

#530 Antique Anglo-Indian Tea Chest, sandalwood overlaid with strips of elk horn. The box is rectangular with sloped sides. The elk horn on the top of the stepped, sloping lid arranged in a starburst pattern. The fitted interior is decorated with incised ivory panels, highlighted with lac, a similarly decorated pair of removable caddies and a circular cut crystal sugar bowl and a horn caddy spoon. (The squashed ball feet are later replacements. Lid lack support). Valtair, Vizagapatam, possibly by Chinniah, ca. 1840-50. See: Furniture from British India and Ceylon by Amin Jaffer, #61 for a similar workbox. Exhibited: The 48th Washington Antiques Show, “Inside and Outside the Box.” and “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024 Height, 9”; Width, 14.75”; Depth, 8.5”.

Rare Antique Chinese Export red lacquer melon-form tea caddy with six loebed sides, three gilt dragon paw feet, gilt decoration of figures in gardens on body and hinged lid with carved “stem,” opening to a similarly shaped tin liner. Circa 1825. Height, 5.5”; Diameter, 6.25” Gourds and mellons had a particular significance in Chinese culture.

See: ”Antique Boxes”by Clark and O’Kelly, figure #238 and our #620 for a similar example.

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

Rare Chinese Export Child’s Black Lacquer Tea Caddy with stepped lid and shaped body having gilt decoration of figures in courtyards and raised on carved dragon form feet. Circa 1820-1830. See our #581, #701 and #702 for related examples.
5.25” x 3.75” x 4”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

French Boulle Style Tea Caddy, rectangular with cut-corners and slightly domed lid with all sides and two interior lids extensively inlaid with engraved brass and red and black colored lacquer simulating tortoise-shell in the 17th century manner. Circa 1850.

Provenance: The Cockrell Collection. (Key). (See our #555 for a related example with blue lacquer ground.) See Clark & O’Kelly, p. 109-10 for related boxes. Height, 4.5”; Length, 8.75”; Depth, 4.5.”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

Rare Child’s Miniature Tole Tea Caddy of Sarcophagus Form, having a shaped lid surmounted by a cast brass knop and with paw form feet: decorated with “smoke” graining and on the front a patera of polychrome flowers. American or English. Circa 1810. (Losses) Provenance: The Cockrell Collection. 3” x 2.25” x 3.5”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

English octagonal ivory tea caddy with fluted ivory panels with tortoise shell stringing and banding, having a pyramidal lid with silver finial opening to a lidded compartment. Circa 1790. Height, 5”; Length, 4.25”; Depth, 3.25.”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024 **Regarding the Sale of Items Incorporating Materials from Endangered Species: An export license issued by the U.S. Fish and Wildlife Service will be required for the export of this pre-CITES item from the U.S. Studio Antiques will not ship this item outside of the USA without proper paperwork, which is the buyer's responsibility.

Rare English Regency Hawksbill and Greenback Tortoiseshell Tea Caddy with ivory and pewter stringing, having cut corners and a bowed front panel with pressed tortoise in concentric ovals with fan corners and central inlaid silver oval with leafage border; the bowed lid surmounted by a ball finial and the whole raised on ball feet. Circa 1800-15. (Key). Height, 6”; Length, 8”; Depth, 4.75.”

Exhibited: “A Celebration of the Anniversary of the Boston Tea Party” at Doyles, Boston 2024

18th Century Bottle or Cutlery Box on later stand, having a shaped gallery surmounted by a brass carrying handle and with a divided interior. English, circa 1780.

14" x 9.75"x 22"tall

Antique Regency Music or Reading Stand in mahogany, having an adjustable sloped top above, supported by a turned shaft with adjustable height and ending in three down swept legs with replaced ebonized ball form feet.
English, circa 1810

Height closed: 29.5", raised:42.5" Top:12"x 15" (minor scratches to top)

Fine 18th century English single compartment tea caddy in harewood, having hinged rectangular top with boxwood stringing and bone pull and escutcheon opening to an inner lid. Circa 1780.

Antique Chinese Painted and Inlaid Wood Tea Shipping Containers, having sliding lids and fronts decorated with figures in gardens and inlaid mother of pearl. (minor losses) Largest: 12" x 12" x 11.75"

August H.O. Rolle (American 1875-1941)

Stream in Winter

Oil-on-canvas, signed lower right (minor losses to frame)

Ptg.: 25" x 30"
Frame: 32.5" x 38.5"

SAFA/11229
August Herman Olson Rolle, painter, printmaker and graphic artist, dabbled in many activities before turning his focus to art. Born in Sibley County, MN, in 1875, his first path toward adulthood led him to Red Wing Seminary. Service in the Spanish-American War, eventually lead him to Washington, DC where he became a forestry expert for the Census Bureau.
Once in Washington, Rolle studied at the Corcoran School of Art under Messer, Brooke and Moser beginning in 1905. His specialties were landscapes and seascapes in oil and watercolor, but he also executed dryprints, woodblock prints, monotypes and etchings.
Following the tradition of his day, Rolle was active in many art societies. In addition to helping found the Landscape Club of Washington in 1915, he served as its president for many years. That was just one among a number of affiliations which also included the Sculptors and Gravers Society of Washington, the American Federation of Arts, and the Arts Club of Washington.
Rolle also exhibited at the Corcoran Gallery of Art, the old National Gallery, the Maryland Institute and at the Greater Washington Independent Exhibition of 1935. He had a joint exhibition of prints with fellow artist Benson B. Moore at Venable's Gallery in 1924.
Rolle died in Washington, DC in 1941. Today, his work is represented at the Corcoran Gallery, the Historical Society of Washington, DC, and the Arts Club of Washington. A retrospective of his work was held at the Corcoran's 1982 "Washington on the Potomac" and at the National Museum of American Art's 1984 show "The Capitol Image."

Exceptional 18th Century Inlaid Sewing Box on later stand, having a rectangular hinged lid opening to a fitted interior, brass carrying handles and top and front with extensive exotic wood inlay and banding.

English, circa 1790

Box 14" x 12" x 6.5 "Overall Height: 30.5"

Large Antique Chinese Black Lacquer Tea Caddy, rectangular with hinged lid opening to an engraved pewter (pac-tung) liner ; the whole decorated with figures in gardens and with brass carrying handles.

Circa 1860. 13.5" x 11" x 8.5" tall (minor losses, filled crack in lid)